KELVIN  BRADFORD

CERAMIC  ARTIST  &  WRITER

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Shell Firing and published articles

 

 

Shell-firing is a very ancient technique , I have seen evidence of it on early Bizen Works..it is used extensively in Japan in a variety of different ways in achieving natural effects and also in glazed work.. (mainly to balance work at different angles to achieve induced runs).

Bizen Masters often fire in saggars when using shells ..Shigaraki Masters particularly  use   large shells on large vases and plates to obtain their Keshki (landscape effects) while also utilizing smaller shells on the inside of Sake Cups for example to obtain a flash which is slightly different to a wood-ash flash.

Almost all types of shells will flash and the amount of flash will vary according to the  particular type of shell...I have published two comprehensive articles in CM on this technique and the way I have developed it.

Its is an extremely simple technique to experiment with in either a Gas or Electric kiln. There are not significant amounts of salt emitted during the firings which would cause concerns over damage to elements or fibre..

I have  published  a number of articles on this technique

      1994 NZ Potter 1995 NZ Potter 1997 Australian Technical Magazine 1998 CM (USA) 2000CM (USA)2001 CM Handbook on Saggar firing.

I have also published other articles as follows  1997 NZ Potter Ryoji Koie 1998 NZ Potter Shiro Tsujimura 1999 CM (USA) Ryoji Koie 2000 CM (USA) Shiro Tsujimura 2001 CM (USA) Uichi Shimizu  2002 "Urbis(NZ) Eriko Horiki 2002 CM (USA) Ryuichi Kakurezaki 2003 "Urbis (NZ) Gallery Shun 2004 CM (USA) Ryumonji 2004 CM (USA) A History of the Anagama.2006CM(USA) Shotaru Hatashi 2009 CM(USA)Masanao Kaneta

      

 

 

 

 

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email ceramics@kelvinbradford.co.nz